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Grading on a Curve (or, NEON vs A24)

I just finished grading a ton of term papers and research proposals, which has thrown me a bit behind on writing duties. But there is an ironic element to this since, while watching these two "elevated horror" entries back to back, I felt as though they exemplified the problems I so often have wi...

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The Power of the Dog (Jane Campion, 2021)

Magnificently directed, beautifully acted, and driven by a score by Johnny Greenwood that thuds when you expect to lilt and vice versa, The Power of the Dog is very close to a masterpiece. But u...

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The Year of the Everlasting Storm (various filmmakers, 2021)

As has been widely reported, The Year of the Everlasting Storm is a bit better than the average multi-director omnibus. This is all the more surprising since it is a project occasioned by the Covid-19 outbreak. Thus far I tend to side with those who've argued that it is simply too soon f...

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Back After a Brief Pause

Just a quick note of apology. In addition to having spent a week at my parents' house, where it is not always easy to concentrate, I am now grading papers as well as packing up the rest of my house. I ho...

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Recent Experimental Cinema 2: Grenier, Vaz (x2)

Wishbone (Vincent Grenier, 2021)

Like Jodie Mack's Wasteland No. 3, Grenier's latest film is slated to have its world premiere during MoMA's "To the Lighthouse" program, f...

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Recent Experimental Cinema 1: Mack, Fleischmann

As I mentioned in my TIFF Wavelengths wrap-up, the pandemic has been an oddly productive time for the experimental film community. When one considers that certain festival showcases did not really happen in 2020, and dozens of filmmakers were under quarantine in their homes, which for most of the...

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El Gran Movimiento (Kiro Russo, 2021)

I go long for Reverse Shot on what may prove to be the best feature film of 2021. This thing is a stunner....

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Dear Evan Hansen (Stephen Chbosky, 2021)

2021-10-01 01:21:36 +0000 UTC View Post

Wheeze Hack Cough

Yep, that was me. You're probably wondering how I got into this situation.

For years, I have paid my annual hosting subscription for The Academic Hack at the end of September, right about the time ...

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NYFF Currents-a-Go-Go

In and Out a Window (Richard Tuohy and Dianna Barrie, 2021)

Although the Currents website lists this as a solo work by Tuohy, the end credits make it clear that this is another co-...

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Returning to Reims (Fragments) (Jean-Gabriel Périot, 2021)

It took me a minute to figure out exactly what Périot is up to in this film, but maybe that's because it's the first feature of his I've watched. (I've seen a couple of earlier shorts, which were fairly...

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A Little More NYFF Currents

Grandma's Scissors (Erica Sheu, 2021)

Sheu's previous film Transcript was a delightful discovery, one that approached things with a formalist stance but was so delicately ...

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NYFF Currents Part Deux

As I mentioned to a couple of friends, there is a weird trend with this year's Currents shorts. The majority of them -- 15 in total -- are 20 minutes or longer. Another eight are between 15 and 19 minutes long. What does this tell us? Is digital technology driving independent filmmakers to make l...

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Currents Conditions

I will be doing a write-up of some more of the NYFF Currents short films (and a couple of features, maybe) in the next few days. But I'm about 60% through and this is the worst single collection of short...

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Little Girl (Sébastien Lifshitz, 2020)

Little Girl is a documentary about an eight-year-old trans girl struggling with bigotry and ignorance while growing up in a suburb of Reims, and in many ways it's a difficult film to evaluate. I...

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Wet Sand (Elene Naveriani, 2021)

SPOILERS, but you'll never see this anyway.

I suppose as fascism continues to rise the world over, we can expect art in general to get dumber and dumber. It's obvious the Elene Nav...

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France (Bruno Dumont, 2021)

A lot of major French directors, such as Olivier Assayas and Arnaud Desplechin, make a habit of hopping from genre to genre, bringing their particular sensibility along with them as they try their hand a...

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I Wrote the Thing (Again)

So MUBI ran my TIFF Wavelengths piece this morning. Way to catch the crest of festival fever!

2021-09-16 17:32:14 +0000 UTC View Post

Arthur Rambo (Laurent Cantet, 2021)

For CINEMA SCOPE's 2021 TIFF Coverage:

In a lot of ways, Arthur Rambo is precisely the film we deserve. Less a full-fledged narrative than an illustrated storytime post, i...

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Benediction (Terence Davies, 2021)

For CINEMA SCOPE's 2021 TIFF Coverage:

Terence Davies’ latest film focuses on World War I and its aftermath, a period that has been his cinematic lodestar since his early short f...

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Moneyboys (C.B. Yi, 2021)

Another film that concludes with an emotionally repressed character dancing it out for all the world to see? What hath Beau Travail wrought? Still, this was a surprise of a sort, since ...

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Playground (Laura Wandel, 2021)

It comes as no surprise that the shadow of Jean-Pierre and Luc Dardenne hangs heavily over contemporary Belgian cinema. Still, Laura Wandel's feature debut is an unnerving duplication of their essential ...

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Medusa (Anita Rocha de Silveira, 2021)

For CINEMA SCOPE's 2021 TIFF Coverage:

It’s spoiling nothing to mention that Medusa, the sophomore film from Brazil’s Anita Rocha de Silveira, ends with a series of bl...

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Recent Experimental Films: Pirker / Lamas / Szlam

These are significant new films that, for whatever reason, are not coming soon to a theater near you.

Real Time (Sasha Pirker, 2021)

Sasha Pirker is an Austrian filmmaker who...

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The Clock (Vincente Minnelli, 1945)

It's 1945, and the anxiety around World War II has turned everything, including courtship, into a race against time. One of the things I've found fascinating about these wartime pictures (cf. the Archers...

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September: Back on My Bullshit

First, the bad news. I will not complete the viewing of the oldies I selected for this month. I may yet get to The Clock, but there's no way I'll complete the Ray or Ophüls. So I will roll thos...

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The Life and Death of Colonel Blimp (Michael Powell and Emeric Pressburger, 1943)

Having finally caught up with the Archers towering canonical masterpiece, I'm going to have to cast my vote with the estimable 2021-08-29 03:08:31 +0000 UTC View Post

NYFF Currents 1 (a mixed bag)

In Flow of Words (Eliane Esther Bots, 2021)

In Flow of Words is an admirable film about an important topic. And while it is constructed with care and a fair amount of form...

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From Bakersfield to Mojave (James Benning, 2021)

Between here and there is better than either here or there! (Pavement, "Conduit for Sale!")

Benning's latest feature film may not exactly...

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Volleyball (Yvonne Rainer, 1967)

As I mentioned on Letterboxd, this is less of a film in the conventional sense than a cinematic gesture drawing. This was made before Rainer had switched to making films full-time, and was still best kno...

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