Our second photo-set in the Bubble-gum Bouguereau series is a dual-model set, presenting highly dramatised vignettes of selfie culture. Far from the preserve of the young, selfies have become a primary means of self-documentation with family photos and holiday snaps routinely shot at arms length to include the photographer. In 2021 Laura Ryan explored the history of the selfie and its influence of portrait painting on the Draw blog, proposing Parmigianino's 1524 painting Self-portrait in a Convex Mirror as the first portrait to use the visual language often associated with the contemporary photographic selfie.

‘Self Portrait in a Convex Mirror’ (1524) by Parmigianino
The circle painting or tondo, may have different implications for us now to when Parmigianino painted his portrait, reminding us of the ubiquitous eye of the camera lens which stares back at us as we take our own portrait. Perhaps even that motif is outdated, superseded by the rectangular 'black mirror' of the smartphone.
This photoset was also inspired by William-Adolphe Bouguereau's circular painting Flora and Zephyr, in which the the our eye is directed directly towards the dual subjects of the painting, rather than relying on the horizontal and vertical limits of a rectangular canvas to guide our navigation of the pictorial space.

'Flora and Zephyr' (1875) by William-Adolphe Bouguereau
We'd always encourage you to explore different ways of interpreting photosets, cropping and re-drawing or re-painting as you see fit to explore how new compositions can change the focus of a narrative image - below are two re-cropings of this weeks photosets as an example.


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Use the Draw Patreon Navigator to find any of our past photosets and take a look at our blogs on how to gather, manipulate and translate photo reference.
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Draw Brighton
2023-09-22 10:08:44 +0000 UTCJulie Rossini
2023-09-22 09:53:48 +0000 UTC