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Strange Way of Life (Pedro Almodóvar, 2023)

Now this is weird. For the first time that I can remember, a film under 65 minutes is receiving a standard commercial release. And Strange Way of Life is significantly shorter, clocking...

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Bottoms (Emma Seligman, 2023)

I really did not like Emma Seligman's debut feature Shiva Baby. In addition to simply finding it unfunny (while being aggressive about its own confidence that it was funny), it was just...

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The Secret Knowledge

Also, what the hell. Although it has not been officially announced yet, here's what I'm showing in November for my program in the Houston Cinema Arts Festival. The program is called "Eiffel Towers and Ho...

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Falling Down on the Job

Yeah, sorry. It's been a minute since I gave you some of that good content. 

But in addition to being buried under grading (which I just finished today), random assignments, the tail-end of Vi...

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Sleep Has Her House (Scott Barley, 2017)

BY REQUEST: Jake Levens

At the risk of being reductive, Scott Barley is the Philippe Grandrieux who doesn't fuck. Or, putting it less facetiously, Barley shares Grandrieux's intere...

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Mangosteen (Tulapop Saenjaroen, 2023)

Although I have consistently found the work of Tulapop Saenjaroen interesting, I have yet to figure out quite what to do with it. The first film of his I saw, Room With a Coconut View, was the o...

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He Thought He Died (Isiah Medina, 2023)

No one else's films look like Isiah Medina's. He is one of the only contemporary filmmakers who seems not only to have taken stylistic cues from late Godard but to move those methods in a newer direction...

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Orlando, My Political Biography (Paul B. Preciado, 2023)

Going into Orlando, I knew only a little about Paul B. Preciado, a queer theorist who completed his dissertation under the tutelage of Jacques Derrida. Much of his work has been about transgende...

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Mirror of Holland (Bert Haanstra, 1950)

BY REQUEST: Brandon

Oh, Inverted World

I'll confess, Bert Haanstra is one of those names that has always been bouncing around in the back of my head, as someone I should really look into. And to be honest, I could say the same thing about Dutch cinema in gene...

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Festival Season Periwinkles

Nothing but home-baked goodness.

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Festival Season Waves

My piece on Wavelengths is forthcoming at MUBI. I couldn't address every film, but here are some of the ones I did.

2023-09-13 02:52:15 +0000 UTC View Post

Festival Season Greens (WITH LINKS)

How would you know if there was a festival film lurking in your neighbo(u)rhood? Do you recognize the signs?

<...

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Something to Tide You Over

I'm a bit buried at the moment. There will be new writing up here soon.

But for now, enjoy one frame each from every shot in Godard's "trailer" for Phony Wars.

2023-09-11 19:54:57 +0000 UTC View Post

Subscriber Sweepstakes: September

First, I want to thank all who have participated up to this point. This has worked out even better than I imagined, since I've gotten to see films I might not have gotten to for years.

Second, here...

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Festival Season Reds

A few more brief remarks on films I'm screening for TIFF, etc.

Spirit of Ecstasy (Héléna Klotz, 2023) [TIFF]

A fairly conventional film in punk attire, Spirit of Ecstas...

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Double Suicide (Masahiro Shinoda, 1969)

BY REQUEST: Alex

It's always a pleasure to catch up with an as-yet-unseen classic from the Japanese New Wave. These directors tend to exhibit a formal approach that I find rigorous...

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The Second Journey (To Uluru) (Arthur and Corinne Cantrill, 1981)

BY REQUEST: John Edmond

Few things are more gratifying than discovering a film that's not only major in and of itself, but seems to serve as a missing link in cinematic history. Th...

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Festival Season Blues

Yes, 'tis the season. I am currently previewing TIFF films for Cinema Scope, and Venice Days films for InRO. Below are brief excerpts of the reviews that will appear later in those venues.

My hope ...

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Lady Killer (Jean Grémillon, 1937)

On first glance, Lady Killer (Gueule d'amour) is not as immediately stylish or fluid as the other Grémillons I've seen. Certain early scenes felt rushed, and the director seemed to be ...

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Theater Camp (Molly Gordon and Nick Lieberman, 2023)

Back in the days of the Movie Nerd Discussion Group, someone introduced the initialism YMMV. This of course means "your mileage may vary," taking the car commercial disclaimer and applying it to movies w...

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Woman in the Dunes (Hiroshi Teshigahara, 1964)

BY REQUEST: Mike D'Angelo

This is one of those canonical masterworks I just somehow never got around to, and although my thinking about cinema would have been more advanced in many...

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The Old Oak (Ken Loach, 2023)

An In Review Online extra!

"As is often the case with Loach’s collaborations with scree...

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All You Need is Just a Little Patience

Hey folks, I have fallen behind on subscriber requests as well as new releases, so sorry about that. This is That Time of Year, when the flood of writing assignments comes in: TIFF capsules for Cinema Sc...

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Subscriber Lottery: An Interesting Turn of Events

I have one more film to watch and write up from the last tombola. Some dude called Michael Del Angelo has asked me to watch something called Woman in the Dunes. Never seen it! Should be a hoot.<...

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Back to School (Alan Metter, 1986)

BY REQUEST: Michael Dodson

Okay, so a little context. When I first started making top ten lists going back through the years, I felt like I needed to be honest about my experience ...

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Trouble in Mind (Alan Rudolph, 1985)

BY REQUEST: David Katz

For what strikes me as a minor film, its writer-director clearly wrote and directed the hell out of it. What's immediately striking about Trouble in Mind...

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Barbie (Greta Gerwig, 2023)

While watching Barbie, I was thoroughly enjoying myself. I not only found it clever and self-aware, but also appreciated the large-scale physical constructions Gerwig got Mattel to spring for. I...

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What I Do In the Shadows

I've been writing a fair amount for In Review Online, and this means I end up reviewing films that don't necessarily get addressed on this site. So as I've done before, I'll post excerpts from those upco...

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Sound of the Mountain (Mikio Naruse, 1954)

BY REQUEST: Matthew McGee

I'm not sure how I managed to miss Sound of the Mountain back when I was doing my deep dive into Naruse. Of course, the man has dozens of extant ...

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Afire (Christian Petzold, 2023)

As many have remarked already, this is Petzold's most Rohmerian film. A seaside getaway becomes an interpersonal proving ground for a self-important intellectual (Thomas Schubert) buckling under the pres...

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