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After Yang (Kogonada, 2021)

Quite often there is a significant disparity between how films are received at festivals versus their broader release. This is usually attributed to the hothouse atmosphere of festivals like Cannes, wher...

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Everything Went Fine (François Ozon, 2021)

It's fairly obvious that Ozon's rebellious days are behind him. We won't be getting another Sitcom or Water Drops on Burning Rocks from him; the best we can hope for are solid, reasonab...

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I Miss Sonia Henie (various directors, 1971)

A rare film I was able to see via the Media City Film Festival online, I Miss Sonia Henie is an absolute waste of time. But if you're an irredeemable completist, it may be worth 15 lousy minutes...

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Where've I Been?

Well, in addition to being pummeled by grading, the last two weeks have been fairly intense around here, with huge construction projects creating a major racket nonstop. All this to prepare for my son co...

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Cow (Andrea Arnold, 2021)

Following her well-regarded short film Wasp (2003), British filmmaker Andrea Arnold's debut feature Red Road (2006) bypassed the entire film festival hierarchy, getting selected for Com...

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Enough Praying (Aldo Francia, 1972)

It happens sometimes: the random luck of the draw directs you to a masterwork you'd never have discovered otherwise. This is the second of two feature films by Chilean director Francia, and by the looks ...

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Tokyo, Vienna, Paris, Houston...

(...everybody talk about Pop Musik!)

As I begin to tackle the backlog of writing, mostly focusing on Media City, I wanted to quickly alert you to some work I've done elsewhere. In particul...

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By the way . . .

Hi all,

Just a note to say I've been a bit tied up with the day job, so I haven't posted as much as I'd like. But shortly I will have reviews up for the Media City Film Festival, which I'm currentl...

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Rotterdam 2020: a sampling (pt. 3)

(Just in case this eons-in-the-making comedy callback was leaving you confused.)

2022-02-15 20:49:58 +0000 UTC View Post

Expedition Content (Ernst Karel and Veronika Kusumaryati, 2020)

There is no obvious way to present an audio field recording. The audience for this type of documentation is mostly restricted to anthropology specialists conducting archival research, even though audio r...

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Rotterdam 2022: a sampling (part two)

Burger King Alexandrium, waar je het kunt hebben zoals jij het wilt.

Impersonator (Andrew Norma...

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Rotterdam 2022: a sampling (part one)

(pictured above: Het Huis van de Whopper, Rotterdam, Netherlands)

Glass Life (Sara Cwynar, 2021...

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Either or Neither (Dan Barnett, 2021)

This is the third and final film in Barnett's "Sweet Dreamers" trilogy, a suite of feature-length experimental films. While I have not seen the second film, Substance Without Science, I think I ...

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The Tale of King Crab (Alessio Rigo de Righi and Matteo Zoppis, 2021)

First it must be acknowledged that this is one of the best-looking films in quite awhile. While Simone D'Arcangelo's cinematography for King Crab maintains a consistent texture, it is also attun...

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Pedestrian at Best Redux: 125 Favorite Songs


UPDATE: 120 struck me as a dumb number. So it will be 125.

It's been a few years, so I decided to revisit and revise the favorite song list. There are numerous deletions, and an addition...

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Fat City (John Huston, 1972)

Given the high reputation of Fat City, I suppose it shouldn't surprise me that it's quite a lovely movie, and a deeply sympathetic portrait of losers still struggling to believe that they aren't...

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1972: Games of Love and Chance

I just finished Fat City (comments forthcoming shortly), so I decided to use ye olde number randomizer to decide the next five 1972 films I will be watching. They are, in order, 134, 44, 12, 41,...

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Beg to Differ

Here are a couple of films I caught up with recently. I liked them well enough, but others seem more impressed. 

A Hero (Asghar Farhadi, 2021)

Farhadi was probably acute...

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You Could Have Seen the Mona Lisa (Doug Dillaman, 2021)

I wanted to say a quick word about this film, which I recently caught up with. As was the case when writing about Frederic Da's Teenage Emotions, I feel a bit awkward commenting here on a film m...

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1972 Redux: Don't Torture a Reduckling!

I have been amassing a collection of prospective '72 views here:

https://letterboxd.com/msicism...

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Two Master Miniaturists

Last year saw the release of two new films, each by a prominent European formalist. These are makers I should know a bit better than I do.

A Floating World (Jean-Claude Rousseau, 2021) View Post

The Heartbreak Kid (Elaine May, 1972)

Ironically, this was probably a great choice as my introduction to Elaine May. If the films she both wrote and directed exhibit more of this sensibility, they must be really, really good. Almost everythi...

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A Font of Wisdom

As Nicolas and I were discussing Kluge's use of bad fonts, my mind drifted back to Pusha T.


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Willi Tobler and the Decline of the 6th Fleet (Alexander Kluge, 1972)

Having recently watched Orphea, the odd film-collage Kluge co-directed with Khvan, I wondered whether the decades-long stint in television had somehow warped Kluge's sense of how images actually...

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What's Up, Doc? (Peter Bogdanovich, 1972)

The tagline for What's Up, Dog? was "a screwball comedy... remember those?"This was certainly wise of Bogdanovich and Warners to clearly label this package -- a far cry from today, when everythi...

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Unclenching the Fists (Kira Kovalenko, 2021)

Although I have been somewhat mixed on the films emerging from Alexander Sokurov's production initiative, it's obvious that the old master has an eye for new talent. This is particularly vital, since the...

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Simone Barbès or Virtue (Marie-Claude Treilhou, 1980)

The wonderful thing about cinema, or any artform really, is its utter infinitude. For all the moaning about the death of cinema (and cinema, it seems, has been dying since at least 1908), there is such a...

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Suzanna Andler (Benoit Jacquot, 2021)

There's a true-life legend among my cinephile crowd, involving a screening at the 2000 Toronto International Film Festival. A friend, who is not a professional critic but can more than hold his own in te...

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"Just Open With a Joke"

If you've ever taken a public speaking course, or read any Toastmasters material, or even gotten personal advice on giving a speech at some function, you've probably been told the same thing again and ag...

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The Lost Daughter (Maggie Gyllenhaal, 2021)

Maybe it's because I've been watching Yellowjackets recently, but I am getting tired of movies and shows whose structure is dominated by dual timelines. Granted, there have been flashbacks pract...

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