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Jake Lizzio
Jake Lizzio

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Post your questions HERE for tomorrow night's live lesson

Tomorrow night (Monday) at 8PM CST I'll be going live! Last stream was a blast thanks to the great questions, hoping you still got more for me and that you post them HERE in this thread for tomorrow!

Comments

To follow up on my questions and the responses about modern music and music theory … I just learned of the death of and read about the work of Scottish producer Sophie and experienced 2 videos. Laughed about reviewer Spencer Kornhaber's comment, "Listening to the song reminded me of a desire, buried deep and long ignored, to eat pink and blue chalk." ha ha I guess this work may be "in the limit" of musical composition so all you theorists have at it! Toxic from Britney Spears (Monday's discussion) was a warm up. As expressive artistic composition I have to admit I quite like it. Especially its visual elements and how they work with the sound. Certainly stretches into new theoretical directions of music and production and creativity. (Her dad started taking her to raves when she was 10). https://youtu.be/xXPSe57pOss and https://youtu.be/nPrdVkLu-ds and https://www.google.com/url?sa=t&source=web&rct=j&url=https://twitter.com/skornhaber/status/1356639414110224384%3Fref_src%3Dtwsrc%255Egoogle%257Ctwcamp%255Eserp%257Ctwgr%255Etweet&ved=2ahUKEwidqIvIhM7uAhUbK80KHY78AKsQglR6BAgDEA8&usg=AOvVaw2BJ5S8Q54MMbhIIYPu3Gsx

Thoughts on how to get guitarists to think about inversions more? Music written on piano often has inversions naturally as all the notes are "right there" rather than needing to work for it more on guitar. Thoughts on DADGAD and Double Drop D? Have you found use cases for them when writing?

Paul Callaway


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