Slopppy Secondz: 14 April 2023
Added 2023-04-15 06:13:17 +0000 UTCWeeaboo cringe compilation and more!
Comments
No, it is not correct that after a triad the 7th, 9th, 13th, and etc. notes do not need to conform to the root note's key. The notes added to a triad to form a seventh chord, ninth chord, thirteenth chord, and so on, are typically chosen to fit within the key of the root note1. In music theory, a triad is a three-note chord whose notes can be arranged in thirds2. When written as closely as possible on a staff, the two upper notes of a triad must form a third and a fifth above the lowest note3. A seventh chord is a four-note chord consisting of a triad plus a note forming an interval of a seventh above the chord's root1. Similarly, a ninth chord is a five-note chord consisting of a triad plus a note forming an interval of a ninth above the chord's root, and a thirteenth chord is a seven-note chord consisting of a triad plus a note forming an interval of a thirteenth above the chord's root4. The notes added to a chord to form a seventh chord, ninth chord, thirteenth chord, and so on, are typically chosen to fit within the key of the root note1. For example, a C7 chord consists of the notes C, E, G, and Bb, which are all within the key of C major. Similarly, a C9 chord consists of the notes C, E, G, Bb, and D, which are all within the key of C major. The same applies to thirteenth chords and other extended chords1. Therefore, the notes added to a chord after a triad are typically chosen to fit within the key of the root note, and do need to conform to the root note's key1.
Asfraker
2023-04-16 10:24:38 +0000 UTCWhich one of you sheltered fucks tried to defend the use of "yada yada yada" in the live chat?
Mendacious C
2023-04-16 06:42:25 +0000 UTCTop notch
Mitchell Anthony Herrin
2023-04-16 00:04:04 +0000 UTC
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