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JillBearup
JillBearup

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Reminder: Premiere and Livestream in 5ish hours! (i.e. 8pm GMT)

Quick reminder that Flirting With Violence, the slightly amended cut, is premiering on YouTube at 8pm GMT, hooray! Come along and join the chat if you can, and I will be streaming afterwards as well! (For about half an hour, and then I will gently collapse into my bed at 9, as I woke up to the smoke alarm chirping at 5.20 this morning. It was a fun time.)

Episode will be here: https://youtu.be/DctsysVpLKY

Hope to see you there! (If not, come and leave a comment if you do watch the episode and say hi!)

Any questions in advance of the live stream (episode related or not?) I will try and get to them!

Comments

Thanks for answering those questions.

In watching the rough cut, Duncan said something interesting regarding shoehorning dialogue into a fight as opposed to writing a fight into good dialogue. Just got me thinking naturally about Star Wars. Haha. The Duel between Kenobi and Vader in Star Wars A New Hope kind of strikes me as a fight shoehorned into dialogue, whereas the fight between Luke and Vader in Empire Strikes Back seems to be a beautiful blend where the fighting compliments and is part of the dialogue almost as if they are speaking with their fight- it becomes the dialogue as well, if that makes sense. I think this is what makes the duel between Luke and Vader far superior to that of Kenobi and Vader in A New Hope (outside of superior stage design and lighting Etc). The Luke Vader duel in my opinion was the Perfect Blend of the two. Even the duel between Kenobi and Vader in episode 3 seems like really bad dialogue shoehorned into an excellent sword fight. Anyway, I had never really thought of this Dynamic until I heard Duncan say that in the video rough-cut. The idea of doing this very thing with Shakespeare is awesome. I have not watched the actual seen yet even in the rough cut because I wanted to wait until the live stream.

I do have a question for you related to Nerdquest. At 47:47 in. When the character (I forget his name) asks your character "You do know there's a murderer around don't you?", You respond with a nod that seems to have somber resignation, almost as if she has had to accept who or what she is or has become. There seemed to be quite a bit of depth to the character at that moment. I was instantly reminded of Alec Guinness in A New Hope when Luke asks Kenobi how his father died. We the audience realize the odds much more to the question than meets the eye. So the question is, what were your thoughts on acting that response (or I may have read too much into it). Anyway, mad props for acting on par with Sir Alec Guinness!👍

You've soon been married for ten years. What is the most important thing you've learned, keeping-a-relationship-wise?

Anders


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