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Timelapse - Unwilling Oviposition - page 5

In the beginning her hair is almost flaring out. Until I become a master, I draw elements like that in a neutral position first. Once all the elements are in place, I analyze how they would/could/should interact with each other, and then redraw it. These little details I think give added eroticism. When these elements are missing, the hentai is less real. If done incorrectly (not saying I do it right all the time), hair can "feel" like hard plastic, legs can "feel" like wood.

In writing, I set up the sensation you don't get from reading words. I describe the temperature, sounds, and other stimuli to help immerse the reader. I try to do that in comics. I think about how soft the breasts are. I show them get grabbed in a way that demonstrated their softness. All of this is for immersion. How much her thighs squish in her seat, how much strength is put into restraining her, how much strength does she fight back with; these are all taken into account as much as possible in my work



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Timelapse - Unwilling Oviposition - page 5

Comments

Hmm sorry I couldn't really tell so maybe = / I see some of it but not much

Hypnofan147

Yah I agree. I would like to re-do some of these like a reboot so-to-speak when I'm ready.

I've noticed that actually you do good on a lot of your work some time I feel I could be a bit better though but that's just a nit pick

Hypnofan147


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